{"id":6477,"date":"2019-04-23T10:57:15","date_gmt":"2019-04-23T10:57:15","guid":{"rendered":"https:\/\/www.provatest.it\/teatro\/shows\/"},"modified":"2022-03-31T16:14:48","modified_gmt":"2022-03-31T16:14:48","slug":"shows","status":"publish","type":"page","link":"https:\/\/www.kyberteatro.it\/en\/shows\/","title":{"rendered":"Shows"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” full_height=”yes” bg_color=”#000000″ scene_position=”center” text_color=”light” text_align=”left” id=”about” enable_gradient=”true” color_overlay=”#000000″ color_overlay_2=”#000000″ gradient_direction=”top_to_bottom” overlay_strength=”1″ shape_divider_color=”#000000″ shape_divider_position=”bottom” shape_divider_height=”125″ bg_image_animation=”none” video_mute=”true” shape_type=”fan”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/6″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column centered_text=”true” column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text css_animation=”fadeInUp” css=”.vc_custom_1555580755210{margin-bottom: 15px !important;}”]\"\"[\/vc_column_text][split_line_heading]\n

Productions&<\/span>workshops<\/h1>\n

SHOWS<\/h2>\n[\/split_line_heading][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/6″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” full_height=”yes” bg_color=”#000000″ scene_position=”center” text_color=”light” text_align=”left” id=”about2″ enable_gradient=”true” color_overlay=”#000000″ color_overlay_2=”#000000″ gradient_direction=”top_to_bottom” overlay_strength=”1″ shape_divider_color=”#000000″ shape_divider_position=”bottom” shape_divider_height=”125″ bg_image_animation=”none” video_mute=”true” shape_type=”fan”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/6″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column centered_text=”true” column_padding=”padding-1-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text css_animation=”fadeInUp” css=”.vc_custom_1555580755210{margin-bottom: 15px !important;}”]\"\"[\/vc_column_text][split_line_heading]\n

SHOWS.<\/span><\/h1>\n[\/split_line_heading][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/6″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” id=”team” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”8304″ bio_image_url=”8312″ team_memeber_style=”bio_fullscreen” name=”FIORI per” job_position=”Theater play and new technologies” team_member_bio=”THE SHOW.<\/p>\n

THEATER AND NEW TECHNOLOGIES PLAY<\/p>\n

TITLE: \u201cFIORI per\u201d<\/p>\n

\u201cIf ignorance is bliss, it is folly to be wise\u201d. Thomas Gray<\/p>\n

FIORI per \u2013 the dramaturgy \u2013 is freely inspired by the science fiction text \u201cFlowers for Algernon\u201d that the writer Daniel Keyes wrote in 1966.<\/p>\n

It is the story of Carlo Gordo, a mentally disabled young man selected for a scientific experiment that will significantly raise his IQ. Carlo\u2019s fate is intertwined with that of Algernon, a white laboratory mouse that has undergone the same operation and who competes with him inside a labyrinth.
\nKEY WORDS: flowers for algernon, emotional intelligence vs intelligence, labyrinth, new technologies, humanity, Hologauze, kinect.<\/p>\n

CAST<\/p>\n

On stage: the actor Riccardo Lai<\/p>\n

Direction and dramaturgy: Ilaria Nina Zedda<\/p>\n

Lights and videomapping: Marco Quondamatteo<\/p>\n

Visuals: Simone Murtas<\/p>\n

Audio technician: Elvio Corona<\/p>\n

Production: Kyber theater.” social_icon_1=”fa fa-video-camera” social_link_1=”https:\/\/www.youtube.com\/watch?v=-T1sR7ezerk”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”6220″ bio_image_url=”6180″ team_memeber_style=”bio_fullscreen” name=”GOULD \u00e8 l\u2019arte della fuga” job_position=”Theater play, music and new media” team_member_bio=”Artistical Direction Playwright and Dramaturgy: Ilaria Nina Zedda
\nCo-Direction, video \/ new media: Marco Quondamatteo
\nOn stage: the actor Andrea Meloni
\nCostumes set and Scenography: Emilio Ortu Lieto
\nMusic by: Luca Nulchis
\nSound technician and audio editing: Roberto Corda
\nLighting technician: Fabio Piras Video: Fabio Ortu
\nTaylor: Cinzia Moro.<\/p>\n

In 2013, “CD318.Gould, the art of flight“ ( theatre and new technologies play) was invited to take part at \u201cSUBTLE TECHNOLOGIES\u201d, Festival of art and science in Toronto (Canada).<\/p>\n

“I hope that what are called my personal eccentricities do not prevent the people to grasp the true nature of my game “. Glenn Gould” social_icon_1=”fa fa-video-camera” social_link_1=”https:\/\/www.youtube.com\/watch?v=VWs5Bvq1iZU”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”6196″ bio_image_url=”6195″ team_memeber_style=”bio_fullscreen” name=”MORE LIGHT” job_position=”Theater science and new technologies play” team_member_bio=”Artistic Direction, playwright and dramaturgy are by Ilaria Nina Zedda.
\nThe technological direction with Video and Lights is set is by Marco Quondamatteo.
\nOn stage: the actor Senio Giovanni Barbaro Dattena and the dancer Celine Brynant.
\nSound technician : Fabio Piras.
\nScientific consultation: Ramon Pilia.
\nThanks for the cooperation also to Giulia Diana, Enrica Locci and Giulia Sorrentino, students of Design at Sassari\u2019s Academy of Arts.<\/p>\n

Presented at Science Festival Cagliari 2015 and 2018.<\/p>\n

The brighter the light, the darker the shadow. (Carl Jung)”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” bg_color=”#000000″ scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”6188″ bio_image_url=”6189″ team_memeber_style=”bio_fullscreen” name=”WRITE THE FUTURE” job_position=”Theatre science and new technologies play” team_member_bio=”Playwright and dramaturg, artistic direction: Ilaria Nina Zedda
\nTechnological director: Marco Quondamatteo
\nActress: Lara Farci, Daniela Pulisci
\nMusics and audio technician: Fabio Piras
\nSet and costume designer: Claudia Spina.<\/p>\n

Science fiction is the fiction of ideas. Science fiction is any idea that occurs in the head and doesn\u2019t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible. (Ray Bradbury)<\/p>\n

It was presented during the Cagliari Science Festival 2017.”][team_member image_url=”7649″ bio_image_url=”7647″ team_memeber_style=”bio_fullscreen” name=”INTERCULTURAL PROJECT “TRAVELERS 2020 IN SARDINIA“” job_position=”Performance of Theater,Sport and New Technologies” team_member_bio=”It is a project conceived by the Aman Societ\u00e0 Cooperativa Sociale and Kyberteatro, funded by the Department of Labor of the Sardinia Region and aimed to create a heterogeneous group of foreigner and italian youngs. The partecipants are all under 20 and from various international countries, to promote integration and interculturality.
\nThe activities took place over two years: in summer 2019 and in summer 2020 they participated to the swimming course structured on the aquatic experience of the participants, and to the transdisciplinary theater laboratory conducted by the qualified theater directors and playwrights Ilaria Nina Zedda and Claudia Pupillo. Thanks to this, these young people have gained awareness in their abilities and more self-confidence. In 2020, the project was enriched with other activities that had the territory as a protagonist: guided tours conducted by AIGAE guides from the ASD Sardegna Sottosopra; exploratory trekking to discover the uses and customs and culinary traditions of our island; e-bike tour to discover the Maria Lai Open Air Museum (Ulassai) in collaboration with Sardinia E-Motion.
\nThe project produced two performance productions entitled “Legarsi al Mare“ and “Stile Libero“, in which theater and sport are connected through an intercultural scenic and poetic language and the creative usage of new technologies.
\nTheater as life approach, to be free to express yourselves and play to face fears together.<\/p>\n

Nina Zedda e Claudia Pupillo \u2013 playwright and direction
\nNaoufel Soussi \u2013 cultural mediator and President of AMAN. Coop. Sociale.
\nErminia Cocco – coordinator of the project – Aman Coop. Soc.
\nLights and videomapping: Marco Quondamatteo
\nVisuals: Simone Murtas
\nVideo made by Andrea Mura and Giulia Camba
\nWith the young participants: Martina Demurtas, Lamine Diassy, Jula Darboe (Yaya), Malick Coly, Baba Darboee(Buba), Mario Congiu, Davide Setzu,Michela Congiu, Omar Terki, Alessandra Pibiri, Daniele Scano, Rayhan,Anna Congiu, Fabio Loddo, Giulia Conigiu, Chiara Pupillo, Agostino Aloe, Yakouba Loulibaly, Salah Zani, Sulimah Dialle, Sabadoyoho Soloman.”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”7084″ bio_image_url=”7084″ team_memeber_style=”bio_fullscreen” name=”AUGMENTED POETRY” job_position=”Show of extemporaneous poetry and new technologies” team_member_bio=”The Sardinian language, the sardinian traditional improvised poetry, and the new digital technologies.
\nA new and innovative way to making poetry and theater in the year 2020.<\/p>\n

On stage
\nthe extemporaneous poets:
\nSimone Monni (Burcei)
\nLuca Panna (Quartu S. Elena).
\nGuitar: Mario Aledda (Burcei)<\/p>\n

Direction and dramaturgy: Ilaria Nina Zedda.
\nNew technologies and lights Director: Marco Quondamatteo
\nDigital creative team: Claudia Pupillo, Simone Murtas.
\nElvio Corona: sound technician.<\/p>\n

Scientific support by the ethnomusicologist Marco Lutzu.
\nProduction: DOMOSC-Domos de Sa Cultura.”][team_member image_url=”6185″ bio_image_url=”6184″ team_memeber_style=”bio_fullscreen” name=”BOUNDLESS SCIENCE” job_position=”Reading of science theater and new technologies” team_member_bio=”Artistical direction, playwright and dramaturgy: Ilaria Nina Zedda
\nTechnological Direction: Marco Quondamatteo
\nOn stage: the actors Paola Atzeni and Naoufel Soussi
\nMusic and sound technician: Fabio Piras.<\/p>\n

This Reading was presented during the Cagliari Science Festival 2016.”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][team_member image_url=”7041″ bio_image_url=”7041″ team_memeber_style=”bio_fullscreen” name=”TUMBU” job_position=”PERFORMANCE OF MUSIC AND NEW TECHNOLOGIES” team_member_bio=”Directed by: Ilaria Nina Zedda (Nina Z. Theater).
\nTechnological direction: Marco Quondamatteo.<\/p>\n

On stage:
\nThe musicians: Orlando Mascia and Eliseo Mascia.
\nPerformers: Marisa Cau, Monica Serra.<\/p>\n

With the support of the digital creative team:
\nAssistant director: Claudia Pupillo
\nLive Visual: Simone Murtas
\nSound technician: Elvio Corona.<\/p>\n

Scientific consultant:the ethnomusicologist Marco Lutzu.
\nProduction (year 2019): DOMOSC-Domos de Sa Cultura.<\/p>\n

A lively immersion in the richness of traditional musical heritage, which becomes a poetic vision through the use of new technologies for the scene; a game of mirrors that reflects the richness of our imaginary identity.”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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