{"id":8003,"date":"2021-10-26T14:34:59","date_gmt":"2021-10-26T14:34:59","guid":{"rendered":"https:\/\/www.kyberteatro.it\/?p=8003"},"modified":"2021-11-15T13:59:24","modified_gmt":"2021-11-15T13:59:24","slug":"8003","status":"publish","type":"post","link":"https:\/\/www.kyberteatro.it\/en\/8003\/","title":{"rendered":"D.A.K.I.N.I SUIT(E) – INTERACTIVE PERFORMANCE (19 -20 NOVEMBER 2021) – LMDP8 FESTIVAL"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

\"\"<\/a><\/h2>\n

<\/h2>\n

\u00a0INTERNATIONAL FESTIVAL OF THEATER,ART AND NEW TECHNOLOGIES
\n<\/strong><\/span><\/h2>\n

\u201cTHE WONDERS OF POSSIBLE\u201d \u2013 VIII\u00b0 EDITION<\/strong><\/span><\/h2>\n

SPAZIO DOMOSC, 12 Via Newton \u00ec<\/strong>(up Room Club), Cagliari \u2013 Italy<\/strong><\/span><\/h3>\n

 <\/p>\n

Friday 19 November and Saturday 20 November \u2013 h 9 p.m<\/strong>
\nInteractive Performance <\/strong><\/span>
\nD.A.K.I.N.I SUIT(E)<\/strong><\/span><\/h2>\n

Ajariot\u00a0 Collective (ITALY,Torino\/Biella)<\/strong><\/span>
\nOpen Call LMDP7 Festival 2020 Winners<\/span><\/h3>\n

 <\/p>\n

Advanced bookings requered – tickets euro 10,00<\/p>\n

For tickets box office and more info:<\/p>\n

mobile phone\/whatsapp +39 3470484783<\/b><\/p>\n

mail: info@kyberteatro.it<\/p>\n

CREDITS<\/strong><\/p>\n

Direction: Isadora Pei<\/strong><\/p>\n

Performers<\/strong>
\nEster Fogliano <\/em>
\nGiulia Rabozzi<\/em>
\nIsadora Pei<\/em><\/p>\n

Motion Designer<\/strong>
\nGiulia Parri<\/em><\/p>\n

Dramaturgy<\/strong>
\nEmanuele Policante<\/em><\/p>\n

Music Composer<\/strong>
\nCarlo Valsesia<\/em><\/p>\n

THE PERFORMANCE<\/strong><\/p>\n

\n

D. A. K. I. N. I.\u00a0\u00a0S U I T (E)<\/em><\/strong> is an\u00a0interactive performance<\/strong>\u00a0that involves the use of suit motion capture. The correspondence between the experience of the body and its virtual projection is at the center of the 3D animations of the performance D.A.K.I.N.I. SUIT(E); the suit, second skin of the performer, allows the dialogue between the physical body and the virtual body, through overlaps, duplications, symbioses and clashes, as well as the creation of new digital identities outside of pre-established tracks \u2013 other identities that create new territories by imagining and desiring, as Deleuze said. We wish to reveal to the public the process and the relationships, and to modify in real time the body\/space and the transforming spaces\/places. The body re-creates the space it crosses, changing its features. On stage there is the director, a dancer performer and a motion designer.\u00a0Our research feeds on Donna Haraway\u2019s\u00a0cyborg\u00a0<\/em>andon Susan Stryker\u2019s\u00a0somatechnics,<\/em>\u00a0which allude to the inextricable intertwining of\u00a0soma<\/em>, the body, and\u00a0technics<\/em>, technology, techniques. One of the focal points is the relationship between the body and technological devices for the shaping and modification of bodies: from a biological body to a techno-modified body, an experimental platform for the re-invention of possibilities \u2013 the body as biopolitical space, which in Preciado\u2019s words is a construction, a \u201cfield of multiplicity open to transformation\u201d.<\/em>\u00a0 \u201cWe are the machine, our processes, an aspect of our incarnation\u201d says Haraway in the\u00a0Cyborg Manifesto.<\/em>\u00a0We venture into the exploration of the individual of the future on the wave of cyberfeminism, technofeminism and xenofeminism.<\/p>\n<\/div>\n

THE PROJECT<\/strong><\/p>\n

This performance is inside the international project called D.A.K.I.N.I.<\/strong>: it’s a multidisciplinary and transdisciplinary project aimed at investigating and creating dialectic bridges between the theme of Artificial Intelligence, new technologies and contemporary Feminist Theories. It stems from an idea of the performing arts collective AjaRiot in co-production with the Nordisk Teaterlaboratorium (NTL \u2013 Odin Teatret, DK) and it was internationally developed in 2018 and 2019.<\/p>\n

SHORT BIO AJARIOT<\/span><\/strong><\/p>\n

We are a group of artists, performers, dancers, activists, video makers, scholars and organisers. We are mixed in background, age, experiences and practices. Research, transdisciplinarity and the theme of self-determination are our common cornerstones. Through them, we explore the relationship between body and visual images, its intersections, its active potentialities. It is an open poetic process: a continuous work in progress. Which welcomes disparities and does not aim at unifying. It loves differences.<\/span><\/p>\n

Our research is nourished by corporeal, somatic, plastic, visual, documentary and political practices. In this way, we propose to invest in an intuitive field beyond language, a visual and physical field that precedes the determination of a form and which can put back into question the self-assertiveness of the traditional scene, investigating reality with the public.<\/span><\/p>\n

Our proposals are also inspired by some works of The Living Theatre<\/i>, with whom we share the practice of open scripts, the relationship with the public and the processes of collective creation. Among our influences we can equally list: Odin Teatret<\/i> and the physical theater, Tanztheater, Video Art and the artistic forms derived from somatic experience.<\/span><\/p>\n

The collective was born in 2014 and has so far created:<\/span><\/p>\n

    \n
  • 2014\/2016\u00a0 <\/span>W (h) o \u2013 m a n<\/i><\/strong>, a performance that investigates the question of gender and queer theories; it was rerun at the International Festival of Arts \u2013 Different Sensations<\/i> of Stalker Teatro <\/i>in Biella, at the University of Turin, at the Cavallerizza Reale<\/i> in Turin, in the Fucina Underground Festival<\/i> of Venezia Mestre, at the KolAm Theater<\/i> of Prato.<\/span><\/li>\n
  • 2015\/2017\u00a0 <\/span>G i r l\u00a0 <\/span>I s\u00a0 <\/span>A\u00a0 <\/span>G u n<\/strong><\/i> sex-workers between self-determination and violence<\/i>, a project that challenges some basic assumptions about prostitution; the work won the tender for co-production of the 2016 Provisional Assemblies Festival <\/i>and a period of residence at the Tenuta della Scompiglio<\/i> di Lucca (Italy), it was rerun at Villa Mais D\u2019ici<\/i> and the Centre National de la Danse (CND)<\/i> in Paris and participated in the Festival Presente Futuro 2017<\/i> at the Teatro Libero<\/i> in Palermo.<\/span><\/li>\n
  • 2018\/2019 D.A.K.I.N.I.<\/i><\/b> project<\/i> is a multidisciplinary and transdisciplinary project aimed at investigating and creating dialectic bridges between Artificial Intelligence and new technologies and contemporary feminist theories. The project is in co-production with the Nordisk Teaterlaboratorium\u00a0<\/i>(NTL\u00a0\u2013\u00a0Odin Teatret, <\/i>DK) and with the patronage of Universit\u00e0 degli studi di Torino and AI*IA \u2013 Italian Association for Artificial Intelligence; it\u2019s a selected project by Cross Award 2018<\/i> \u2013 Co-production Cross Residence 2018<\/i> and it\u2019s realized with the support of Compagnia di San Paolo<\/i> within Bando ORA! Produzioni di Cultura Contemporanea<\/i>. \u201cD.A.K.I.N.I.\u201d performance had the national premi\u00e8re in March 2019 in Torino at Cubo Teatro <\/i>for Fertili Terreni Teatro<\/i>, a rerun in Cross Festival<\/i> Verbania and in Museo<\/i> MACRO Asilo<\/i> Roma, in NTL Festival<\/i> (DK) e in Acco Festival<\/i> (Israel).<\/span><\/li>\n
  • 2019\/2020 > AjaRiot<\/i> is working on the interactive performance D.A.K.I.N.I. SUIT(E)<\/i><\/b>, project in residence and in co-production with In\\Visible Cities \u2013 Urban Multimedia Festival<\/i>, Gorizia + Scientifica<\/i> (Romania) and with the patronage by NTL <\/i>(DK); the project was selected for the semifinal of the Premio Dante Cappelletti 2019<\/i>.<\/span> SUIT(E)<\/em> had the national premi\u00e8re in September 2020 in Gradisca d\u2019Isonzo at In\\Visible Cities \u2013 Urban Multimedia Festival<\/em> and it\u2019s among the winning performances of LMDP Festival di Teatro Arte e Nuove Tecnologie 2020. <\/em><\/span><\/li>\n
  • 2020 > AjaRiot<\/em> in collaboration with Riciclette<\/em> performed CURA <\/strong>performance in Natura<\/em> in Cross Festival Walk Edition 2020<\/em>.<\/span><\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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